Thursday, 24 September 2015

la hain

What is the importance of mise-en-scene and / or sound in creating meaning and generating response in the film you have studied?


In the scene where the three characters are on top off a rooftop in Paris, Hubert and Vintz are sitting next to each other talking, this is mise-en-scene because those two characters have been in conflict through out the film and this positioning shows that they are no longer in conflict, that they are friends one more. Said in this scene is doing nothing, he is messing around and enjoying himself, because mise-en-scene he is the one who brings the two friends together and tries to stop the conflict, so when these two characters are not in conflict Said doesn’t have to do anything. Hubert, Vintz and Said represent each of the qualities the French flag stand for, which are Liberty, fraternity and equality and in this scene is the first time the characters say these words. But they are saying it in the context of a mocking way, so it shows that they don’t fully appreciate the meaning, it could go as far to show that they also don’t appreciate each other and the roles they play in the friendship, which would explain the constant conflict. There is no sound added to the scene, just diegetic sounds in the scene like wind and footsteps, this ads a sense of realism to the scene. The characters are also seen smoking a joint, which shows that because where they come from is rough and filled with violence and drugs even though it is still a close knit community.  

Monday, 27 April 2015

http://kecfilmstudies.weebly.com/fm2-section-c---comparative-study.html



http://kecasfilm.blogspot.co.uk/p/badlandsnbk-messages-values.html


or this section of the exam paper it is important to directly answer the question by referring to film sequences from ‘Badlands’ & ‘Natural Born Killers’. It is also essential that you use film language (mise-en-scene/camera etc) and make use of key issues such as narrative and genre conventions.

  • The names of the film’s directors and the year of the release is mentioned early on
  • The question is addressed in the opening paragraph
  • The keywords in the question are referred to throughout the essay
  • Good detailed reference to the film has to be at the core of any answer. Try to use sequences.
  • This must have some indications of the use of film language – mise-en-scene, cinematography, editing, sound and music
  • If you don’t do this many examiners will view your information as mere description.
  • If the question has the word narrative in the title – you must refer to narrative. Use the language to underpin this – i.e. resolution, closure, structure, cause and effect, pace, linear/non-linear. Anunderstanding of narrative and the way it functions should be at the centre of your response.
  • Representation is also an issue that should be employed in your answers. This could focus on individuals, groups, location, America or gender
  • If necessary also refer to genre; in terms of conventions, iconography and expectations.
  • Wider contexts need to be employed in your answer. How are these films American? What influence does the time in which they were made have on these films? What events are they based upon?
  • You must compare and contrast these films directly. Look for points where these films sharedistinctive elements and also if possible where they differ.
  • Give your own opinions of the films – linked to what needs to be discussed in terms of the question. Support with reference to the films. 
  • Try to ‘think outside the box’. Candidates who offer more thought provoking responses tend to get higher marks. 
  • Write a short conclusion that draws you and the examiner back to the terms of the question. Remember that this is the last thing that they will read before they put a mark down.
  • Three to five sides should assure quality and quantity.



Key Themes
  • The ‘American Dream’ – something everybody can attain; ‘pop’ icons, mirroring or copying
  • Dysfunctional Family - A result of unrealistic ideological beliefs 
  • Rootlessness – The characters have no ‘roots’ or ties to any family, for a variety of reasons, and they embark upon a ‘road trip’ to sustain their love. 
  • Modern Fairytale – The films present a highly romanticized view of what it is to be in love. Love conquers all, overpowers obstacles and anything is morally acceptable to maintain the relationship.
  • Animalistic Nature: Trapped/Freedom – notions within their environments and the characters situation. There is a constant struggle between these opposing issues to maintain the partnership.

Characters
One approach to reflecting upon the question is to focus upon specific characters rather than trying to cover them all. Although the couples are central to the themes of the film, minor characters play significant roles in developing the binary oppositions at the core of the films themes.

Sequences
Another way of comparing the films is by comparing key sequences and fitting them to the questions. You should do this by giving the examiner a sense of each sequence filmically and not descriptivelyOpenings, complications, climaxes and resolutions make ideal discussion points, as they tend to draw upon the key issues. 



Holly:

-       Holly is a cold and naive character.

-       Holly narrates the film. Both of these characters and many characters in the Lovers on the lam genre are egotistic, and feel the need to record their impact on the world, and consequently be remembered.

-       The voiceover also gives a fantasy element to the film, and provides back story and important narrative information.

-       A sign near Holly says “Bait”. This is pre-emptive. Of what will happen in the rest of the film. It says a lot about the narrative, and implies that she will be taken away from her mediocre life. (which she is)

-       Holly is always behind Kit in the film. She is quite a subdued and introverted character, and this is probably why she is constantly positioned this way. Mallory, in comparison, is a very extraverted character, and is very active and animated.

-       Holly, whilst shy, is a very cold and uncaring character. She doesn’t react to her dog’s or her father’s death, and seems unaware of the true consequences of murdering people. Whilst she is in love with Kit, she is still quite cold and shy around him. This is unlike Mallory, who is outgoing and very romantic with Mickey.

-       Holly has no major motivation at the beginning of the film. We don’t get much of an idea of what she wants to achieve, as she never mentions as what she wants to do in the future. She seems to show no sign that she wants any sort of American Dream. This is probably why she seems so cold and unaffected by the deaths of so many people. Mallory is more forward thinking, and is much more animated than Holly.

-       While she is sitting in the garden, the words behind Holly say “Bait”, suggesting that she will be bait for Kit. It is due to kit meeting Holly that he starts killing. It also reflects her character, and though she appears innocent, she is also Jail Bait. 

-       Holly comments on the tree being swept away by the river. This can be paralleled to Kit and Holly. Kit as the river, and Holly as the tree.

-       Kit and Holly show no remorse for their killings, they are not afraid to murder again. They are both cold and uncaring characters. Kit does however, regret killing his best friend. 

-       Holly doesn’t really seem to understand the impact of murder. When Kit shoots the people in the barn, she stands away. She doesn’t embrace the fact that people have died, and remains unsympathetic. 




Kit:

-       Kit is in a dirty job (A garbage man), like Mickey. This job gives the audience expectations about his character. He is trailer trash, unlike Holly, who is first presented to us as essentially innocent.

-       Kit feels the need to record his achievements throughout the film. He constantly records his thoughts through a Dictaphone, and his thoughts always relate back to himself. Close to being caught, he builds a small monument, purely to be remembered.

-       Kit has a lack of identity. He constantly tries to take on other roles, such as that of a murderer and pop culture figures, particularly James Dean. Towards the end of the film, he strikes the famous “Crucifix Pose” that was well associated with James Dean. This is a common convention of the lovers on the lam genre, and media influence is key theme in Natural Born Killers.

-       Kit is shown to lead a cow to slaughter early on in the film. This is pre-emptive of what will happen in the film. Kit ends up leading Holly away into a life of crime.

-       Kit reverts to naturalistic behaviours when in the woods. Nature plays a key role in NBK and Badlands.

-       Kit wears a hat similar to the one Holly’s father wore. This shows Kit’s dominance and control over Holly.

-       Kit shows no remorse for killing Holly’s father. He shows more interest in the toaster he picks up from the cellar.

-       Kit offers a way out of the dull life Holly is leading in the town.

-       Kit tries to be a rebel throughout the film, by appearing as a dysfunctional loner. This is ironic, as he has no original identity. He tries to look like a popular American culture figure.  
  
-       Kit is more in touch with American culture than Holly.

-       Kit’s appearance appears to fill the traditional male role, but however, he shoots the men intruding in the forest in the back with a gun, rather than fighting with them up front. 















Sunday, 23 November 2014

Draft 2ish


How does the use of cinematography and Mise-en scene sympathy in the Loki discovers he is a frost giant film sequence from Thor 2009?

The scene is about Loki finding out that he was adopted and his real farther is their enemy and this betrayal cause Loki to try and destroy Thor and the whole frost giant race and become King of Asgard. The establishing shot is of a low angle of the Tesaract which tilts up to show Loki walking up to it in middle shot. The low shot to me shows that the Tesaract is powerless when someone is not controlling it and when it tilts up and shows Loki walking up to it, it shows that it has more power with Loki.

The sound in the background is empty, eerie sound with diegetic footsteps of Loki walking up to the Tesaract and his heavy breathing, most of the sound is exaggerated due to the echo in the room. There’s also an exaggerated sound as he picks up the Tesaract.

There is a straight cut to a close up of the Tesaract and Loki picking it up with an exaggerated diegetic sound as he picks up the Tesaract, then another straight cut to a mid-shot of Loki holding the Tesaract, when a heavy breath comes from Loki the camera pans to the right this is to show more of the background for when another character comes in. A loud echoed "stop" comes and you can see a gold figure in the background as well as fires which light the room. The room is dark and has low key lighting, everything is lit with fire, it also goes with the scene in the way that this is a dark time for Loki as he’s about to discover the truth of his parentage and it also give a hint towards the end, showing that it’s going to end badly and someone is going to be in a dark place.

In this scene Loki is wearing green and black, the green mise en scene could represent envy and jealousy which Loki is towards his brother Thor and the black mise en scene could represents darkness which Loki is heading for and Loki's hair is long and black, the black hair is there as a hint for me it is a clue that because Loki's mother, father and brother in the film all have light hair, it shows that Loki doesn't belong and that he’s different and in this scene you find out that he’s, Odin is dressed in gold, the gold mise en scene shows power and wealth and this gives a clue that he’s in a higher authority, which he’s as king.

In the background there is a water dripping, diegetic sound, this give the scene a sense of coldness. There is a straight cut to a mid-shot of Loki's back and in front of him is a yellow pointed rectangle, the fainted yellow mise en scene representing hope that something good would come of this but as it is faded it is unlikely.

In the middle shot, Loki puts down the Tesaract and turns around, you see he’s blue and this is revealing what he really looks like because he’s a frost giant not of Asgard. When Loki says “what more than that” he sounds angry and bitter showing us that he has just found out that he’s different and that he’s upset and angry that he was never told. A straight cut to an extreme long shot behind Loki shows Loki’s waste up and all of Odin in the distance. This shot shows how far apart the two characters are in the sense of mentally because Loki has spent so long thinking one thing and now that has changed and the secret has distanced Loki for Odin. Then a straight cut of a mid/ close up shot of Loki walking towards Odin asking him about where he came from, but the facial expression shows that Loki is hurt and that adds to the anger in his voice. Then a straight, close up shot of Odin to the right of the screen leaves the left of the screen blank. On his face you can see sadness and I can tell that he’s sorry for not telling Loki and that he found out this way, so the blankness shows that he has now lost something dear to him and this creates sympathy.  
    
An extreme long shot reveals, Odin is on steps and Loki is at the bottom of the steps. So Odin is higher than Loki looking down at him, this shows that Odin’s more powerful and in control as Loki is almost powerless and helpless. This shot is also common in horror films where the villain/murder is at the top of the steps and the victim is at the bottom, so you could say that Loki’s the victim and Odin is the villain this is similar to horror films example scream when the victim comes close to or is getting chased by ghost face.

During this scene there is a flash/back of Odin finding Loki as a baby, it tilt’s to a close up of the crying blue baby, then a straight cut to an over the shoulder shot of the baby While this shot goes on there is a non-diegetic voice over of Odin explaining what happened to Loki, as he talks there is a straight cut to a low angle shot of Odin holding the baby. The low angle shows Odin higher than the baby to give him more power and to me this shows that he’s the position to make the choice to keep and raise the baby or to get rid of it. Another straight cut shows a close up of the baby, and in this shot the baby goes from blue, the colour it was born with to the same skin tone of Odin, to me this made me a bit sad because it shows that even from a baby Loki was trying to fit in and be like everybody else even if he didn’t know he was doing it.

A straight cut to a close up of Loki back to the scene and you can see in his eyes the tears he’s holding back, and he’s looking away from the camera, like he’s avoiding looking at Odin. This tells me that Loki once looked at Odin as a father because that what he thought to be true and now he now it’s not he doesn’t see Odin in the same way. When Loki looks at Odin and starts to ask questions it continues a reverse shot between Loki and Odin. This helps create tension between the two characters and it helps build up the dialog and to the emotion that Loki and Odin are both feeling, Loki more than Odin. When Loki yells “tell me” you can see how angry and short tempered he’s begging to be and you can see faint little tears that have ran down his face, to me this shows that he’s trying to hide that he feels upset and betrayed by showing anger.

When it gets to the point where Loki, in a close up switching between Loki and Odin, is saying “because I’m the monster parents tell their children about at night” to me this is Loki breaking and this piece of dialogue tells you, what Loki thinks of himself because it is tells me that he always thought that he was different, an outcast and now he sees himself as an monster because he’s a frost giant and Loki has been brought up to hate this race because of Asgard being at war with them. When Loki goes on to say “this explains why you favoured Thor all these years…” Loki shows that he compares himself to Thor and saw that his “father” loves Thor more than him and so this furthers his anger towards himself. This makes me feel sympathy towards Loki because he has been lied to all his life and it shows that over the years because of this difference he never knew existed he built up this resentment towards his brother. The mise en scene of his voice shows how upset Loki is and you can hear him holding back the tears.

Odin starts to collapse, getting lower to the floor, and almost lying on the steps as Loki angrily storms up to him. Loki is above Odin as he’s yelling and a straight cut to low angle where you can see part of Loki looking bigger, more powerful than Odin, Odin is reaching out his hand weakly needing help but Loki is too angry to care. Another straight cut to a low angle showing Loki towering Odin with pure anger and portrayal on his face and in his voice. The low angle shows mise en scene, Loki higher because Odin has become weak making Loki the stronger powerful one. After Odin is lying down there is a straight cut to Loki’s face and now seeing the man who raised him almost on deaths bed you can see sorrow in his eyes.

There is an extreme close up where you can see Odin breathing heavily and Loki reaches out and touches his hand, this shows that Loki still sees Odin as someone he cares for, when you care for someone and you look out for them you hold their hand to show that you are there and that what Loki is doing.      


Thursday, 20 November 2014

case studies

THE KINGS SPEECH- British film
Biography, history drama 
Certificate- 12A

Budget $15,000,000 (estimated)

Opening weekend-£3,523,102 in the UK on the 7th January 2011 (USA 25th december 2010)

Gross $138,795,342 in the USA
Awards
4 oscars, 104 wins, 136 nominations 

Storyline

Tells the story of the man who became King George VI, the father of Queen Elizabeth II. After his brother abdicates, George ('Bertie') reluctantly assumes the throne. Plagued by a dreaded stammer and considered unfit to be king, Bertie engages the help of an unorthodox speech therapist named Lionel Logue. Through a set of unexpected techniques, and as a result of an unlikely friendship, Bertie is able to find his voice and boldly lead the country through war.
Stars - Colin Firth as King George VI, Helena Bonham carter as Queen Elizabeth, Geoffrey Rush as Lionel Logue. 
Director is Tom Hooper
rating- PG13 

reviews 
On rotten tomato the kings speech has 240 reviews and 94% liked the film, and the audience 92% liked the film. 




  




The Secret in Their Eyes (El secreto de sus ohos)- Foreign film

Drama, mystery, thriller

Certificate- 18
Budget- £2,000,000
Opening weekend-£85,467 in the UK on the 13th August 2010
Gross-$6,390,014 in the USA on the 15th October 2010
Language- Spanish

Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín Espósito (Ricardo Darín) begins writing a novel based on the decades-old unsolved mystery of a newlywed's rape and murder.


Awards
Won an Oscar for best foreign film of the year 2010
BAFTA nominated for best foreign film of the year 2011
And many other awards adding up to 52 wins and 37 nominations.
Above 90% of rotten tomato and the audience voted that they liked the film. 

Staring- Ricardo DarínSoledad VillamilPablo Rago


Toy Story 3-blockbuster 
animation, action, comedy
Certificate- U
Budget- $200,000,000
Opening weekend-£21,187,264 in the UK on the 23th July 2010
Gross- $414,984,497 in the USA on the 26th November 2010

The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.


Stars- Tom Hanks as Woody, Tim Allen as Buzz, Joan Cusack as Jessie.
Director- Lee Unkrich 
Awards
Won 2 oscars,another 53 wins and 68 nominations
Ramona and Beezus came out at the same time and because toy story was a bigger franchise the film didn't do as good as it should have done. Only making  £84,475 on it's opening weekend.



Admission US INDEPENDANT
Romantic, comedy drama
Certificate- PG13
Budget-$13,000,000
opening weekend- $6,154,984
Gross- $18,004,225

A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.

https://www.youtube.com/watch?v=vLe3qu-PlHg

Staring- Tina Fey, Paul Rudd, Nat Wolff
Director- Paul Weitz
Admission-Movie-Poster.jpg



The hobbit Battle of five armies
Budget-  $250,000,000
opening weekend- $54,724,334
gross- $255,108,370
Director- Peter Jackson
Stars- Ian , Martin Freeman, Lees pace, Richeard Armitage
After the Dragon leaves the Lonely Mountain, the people of Lake-town see a threat coming. Orcs, dwarves, elves and people prepare for war. Bilbo sees Thorin going mad and tries to help. Meanwhile, Gandalf is rescued from the Necromancer's prison and his rescuers realize who the Necromancer is.
PG13, adventure,action


Mission: Impossible - Ghost Protocol

The IMF is shut down when it's implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization's name.
Director- 

Budget:

 $145,000,000 (estimated)

Opening Weekend:

 $12,785,204 (USA) (16 December 2011)

Gross:

 $209,364,921 (USA) (6 April 2012)



Warm Bodies 


fter a highly unusual zombie saves a still-living girl from an attack, the two form a relationship that sets in motion events that might transform the entire lifeless world.
director- 

Budget:

 $35,000,000 (estimated)

Opening Weekend:

 $20,353,967 (USA) (1 February 2013)

Gross:

 $66,359,959 (USA) (3 May 2013)
PG-13  |   |  ComedyHorrorRomance  |  1 February 2013 (USA)



Hansel & Gretel: Witch Hunters (2013)


R  |   |  ActionFantasyHorror  |  25 January 2013 (USA)
Hansel & Gretel are bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
director/ writer- 

Budget:

 $50,000,000 (estimated)

Opening Weekend:

 $19,690,956 (USA) (25 January 2013)

Gross:

 $55,682,070 (USA) (19 April 2013)






you Again (2010)


PG  |   |  ComedyRomance  |  24 September 2010 (USA)
director- 

Budget:

 $20,000,000 (estimated)

Opening Weekend:

 $8,407,513 (USA) (24 September 2010)

Gross:

 $25,677,801 (USA) (10 December 2010)
When a young woman realizes her brother is about to marry the girl who bullied her in high school, she sets out to expose the fiancée's true colours.
Best Performance in a Feature Film - Supporting Young Actor
Billy Unger 

Won hall of shame award



The Imitation Game (2014)

PG-13  |   |  BiographyDramaThriller  | 25 December 2014 (USA)
During World War II, mathematician Alan Turing tries to crack the enigma code with help from fellow mathematicians.
director- 

Budget:

 $14,000,000 (estimated)

Opening Weekend:

 $479,352 (USA) (28 November 2014)

Gross:

 $91,020,367 (USA) (17 April 2015)
Won 1 Oscar. Another 51 wins & 117 nominations



The Theory of Everything(2014)


PG-13  |   |  BiographyDramaRomance  | 26 November 2014 (USA)
A look at the relationship between the famous physicistStephen Hawking and his wife.

Director:

 

Budget:

 $15,000,000 (estimated)

Opening Weekend:

 $208,763 (USA) (7 November 2014)

Gross:

 $35,887,263 (USA) (10 April 2015)
Won 1 Oscar. Another 24 wins & 92 nominations




Into the Woods (2014)


PG  |   |  AdventureFantasyMusical  | 25 December 2014 (USA)

Director:

 
A witch tasks a childless baker and his wife with procuring magical items from classic fairy tales to reverse the curse put on their family tree.

Budget:

 $50,000,000 (estimated)

Opening Weekend:

 $31,021,000 (USA) (26 December 2014)

Gross:

 $127,997,349 (USA) (10 April 2015)
Nominated for 3 Oscars. Another 9 wins & 52 nominations